FANDOM


(1940s)
(1940s)
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[[File:Brooks-out-of-jail.jpg|180px|left|thumb|Brooks is free from jail]]
 
[[File:Brooks-out-of-jail.jpg|180px|left|thumb|Brooks is free from jail]]
In 1954, [http://shawshank.wikia.com/wiki/Floyd?action=edit&redlink=1 Floyd] tells Andy and Red that '''Brooks''' is holding a knife to [http://shawshank.wikia.com/wiki/Heywood?action=edit&redlink=1 Heywood]'s throat. Andy manages to calm him down, but he is distraught. They later learn that '''Brooks''' has been paroled, and that killing Heywood would have been his way to stay in prison. The gang discusses '''Brooks''', and Red says that '''Brooks''' has been in prison so long that he is institutionalized.
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In 1954, [http://shawshank.wikia.com/wiki/Floyd?action=edit&redlink=1 Floyd] tells Andy and Red that '''Brooks wants the booty and this is his swamp now.'''
   
As he leaves, he lets [http://shawshank.wikia.com/wiki/Jake?action=edit&redlink=1 Jake] go free. The prison doors open, and '''Brooks''' steps out and takes a bus to his new home. He is astounded by the changes in the world since he was free, and complains that everyone got themselves in a hurry. The parole board got him into a halfway house called [http://shawshank.wikia.com/wiki/The_Brewer?action=edit&redlink=1 The Brewer], and a job at the [http://shawshank.wikia.com/wiki/Food-Way?action=edit&redlink=1 Food-Way]. '''Brooks''' hates working there and considers robbing the store and killing the [http://shawshank.wikia.com/wiki/1954_Food-Way_Manager manager] (as a [http://en.wikipedia.org/wiki/Bonus bonus]) to go back to prison. He decides that he is too old to do that.[[File:Shawshank-brooks-hang.png|thumb|180px|Brooks does suicide by hanging himself]]
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"All I want is the booty" -Brooks[[File:Shawshank-brooks-hang.png|thumb|180px|Brooks does suicide by hanging himself]]
   
He writes a letter back to his friends at the prison, in which he expresses his difficulties adjusting to the outside world, including holding up a job at a grocery store as a bagger, living in constant fear, and longing to break his parole so they'd send him back home. He decides that he's tired of being afraid, and, deciding not to stay, gets up on a table and carves '''''Brooks''' was here'' into the ceiling beam. He ties a rope around the beam, and puts a noose around his neck. He rocks the table, and it falls. He does suicide so good that he dies and the camera zooms out on the rope spinning around.
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He can't find the booty thus killing himself.[[Category:Prisoners]][[Category:Deceased characters]][[Category:Characters who commit suicide]]
 
After his death, [http://shawshank.wikia.com/wiki/Andy Andy] starts to build the [http://shawshank.wikia.com/wiki/Brooks_Hatlen_Memorial_Library?action=edit&redlink=1 '''Brooks''' '''Hatlen''' Memorial Library].
 
[[Category:Prisoners]]
 
[[Category:Deceased characters]]
 
[[Category:Characters who commit suicide]]
 
   
 
==Trivia==
 
==Trivia==
 
*There was a scene in the script where [http://shawshank.wikia.com/wiki/Red Red] finds [http://shawshank.wikia.com/wiki/Jake?action=edit&redlink=1 Jake]'s carcass. This was to symbolize that Jake was meant to be caged, just like '''Brooks'''.
 
*There was a scene in the script where [http://shawshank.wikia.com/wiki/Red Red] finds [http://shawshank.wikia.com/wiki/Jake?action=edit&redlink=1 Jake]'s carcass. This was to symbolize that Jake was meant to be caged, just like '''Brooks'''.
 
{| style="margin: 0 auto; border-collapse:collapse; border-style:none; background-color:transparent;"
 
{| style="margin: 0 auto; border-collapse:collapse; border-style:none; background-color:transparent;"
| class="quotation-mark" style="width:20px; vertical-align:top; font-size:40px; font-family:serif; font-weight:bold; text-align:left; padding:10px 10px;"|“
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| style="vertical-align:top; padding:4px 10px;"|I never had time to shoot this section of the film, for which I'll always have mixed feelings. The writer in me mourns its absence, because it's among my favorite sequences written. The director in me realizes it's probably just as well -- since it isn't vital from a strictly narrative standpoint, I ultimately would have faced the tough decision of losing it in the editing room to tighten an already long movie. (As William Goldman so wisely observes in his excellent book Adventures in the Screen Trade, sometimes you have to kill your darlings...) The absence of this sequence does put an interesting and different spin on the '''Brooks'''/Jake subtext. As Red notes toward the end of the film, "Some birds aren't meant to be caged." As written, neither '''Brooks''' nor Jake is that kind of bird; neither can survive on the outside. As filmed, however, Jake can survive, but '''Brooks''' can't. In a symbolic sense, Jake now represents Andy and '''Brooks''' represents Red. It's a subtle but fairly meaningful shift.
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| class="quotation-mark" style="width:20px; vertical-align:top; font-size:40px; font-family:serif; font-weight:bold; text-align:left; padding:10px 10px;" |“
| class="quotation-mark" style="width:20px; vertical-align:bottom; font-size:40px; font-family:serif; font-weight:bold; text-align:right; padding:10px 10px;"|”
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| style="vertical-align:top; padding:4px 10px;" |I never had time to shoot this section of the film, for which I'll always have mixed feelings. The writer in me mourns its absence, because it's among my favorite sequences written. The director in me realizes it's probably just as well -- since it isn't vital from a strictly narrative standpoint, I ultimately would have faced the tough decision of losing it in the editing room to tighten an already long movie. (As William Goldman so wisely observes in his excellent book Adventures in the Screen Trade, sometimes you have to kill your darlings...) The absence of this sequence does put an interesting and different spin on the '''Brooks'''/Jake subtext. As Red notes toward the end of the film, "Some birds aren't meant to be caged." As written, neither '''Brooks''' nor Jake is that kind of bird; neither can survive on the outside. As filmed, however, Jake can survive, but '''Brooks''' can't. In a symbolic sense, Jake now represents Andy and '''Brooks''' represents Red. It's a subtle but fairly meaningful shift.
  +
| class="quotation-mark" style="width:20px; vertical-align:bottom; font-size:40px; font-family:serif; font-weight:bold; text-align:right; padding:10px 10px;" |”
 
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| style="vertical-align:top"|— [http://shawshank.wikia.com/wiki/Frank_Darabont?action=edit&redlink=1 Frank Darabont]
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| style="vertical-align:top" |— [http://shawshank.wikia.com/wiki/Frank_Darabont?action=edit&redlink=1 Frank Darabont]
 
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*In the novel, '''Brooks''' has a college degree in Animal Husbandry. Infact he got the prison library job due to being one of the only few prisoners with a degree.
 
*In the novel, '''Brooks''' has a college degree in Animal Husbandry. Infact he got the prison library job due to being one of the only few prisoners with a degree.

Revision as of 16:57, May 7, 2014

Brooks Hatlen was an inmate at Shawshank State Prison from 1905 to 1954. He was the librarian of the prison starting in 1912, and was friends with Andy.

History

1940s

Brooks looks for the booty.

In 1952, Brooks is seen as Andy's assistant (along with Red) as he works as the accountant for the guards of the prison.

Brooks-out-of-jail

Brooks is free from jail

In 1954, Floyd tells Andy and Red that Brooks wants the booty and this is his swamp now.

"All I want is the booty" -Brooks
Shawshank-brooks-hang

Brooks does suicide by hanging himself

He can't find the booty thus killing himself.

Trivia

  • There was a scene in the script where Red finds Jake's carcass. This was to symbolize that Jake was meant to be caged, just like Brooks.
I never had time to shoot this section of the film, for which I'll always have mixed feelings. The writer in me mourns its absence, because it's among my favorite sequences written. The director in me realizes it's probably just as well -- since it isn't vital from a strictly narrative standpoint, I ultimately would have faced the tough decision of losing it in the editing room to tighten an already long movie. (As William Goldman so wisely observes in his excellent book Adventures in the Screen Trade, sometimes you have to kill your darlings...) The absence of this sequence does put an interesting and different spin on the Brooks/Jake subtext. As Red notes toward the end of the film, "Some birds aren't meant to be caged." As written, neither Brooks nor Jake is that kind of bird; neither can survive on the outside. As filmed, however, Jake can survive, but Brooks can't. In a symbolic sense, Jake now represents Andy and Brooks represents Red. It's a subtle but fairly meaningful shift.
Frank Darabont
  • In the novel, Brooks has a college degree in Animal Husbandry. Infact he got the prison library job due to being one of the only few prisoners with a degree.
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